“Malevich and the Masters of Russian avant-garde”. (1999)

Written by Super User on 27 July 2013. Posted in Exposiciones realizadas:

A complete vision of Kazimir Malevich’s “suprematism” through his paintings, drawings and architectonic structures accompanied by a great view of the art that astonished the European avant-garde of the beginning of the XX century, with works of Lebedev, Tatlin, Goncharova, Rozanova, Exter, Larionov, Kandinsky, Filonov, Rodchenko…

Sa Nostra Cultural Centre and Solleric Palace of Palma de Mallorca.
Done in collaboration with the Russian State Museum of Saint Petersburg.

Kandinsky. Composici� n� 223. �li. 126x95 cm.

Kandinsky. La cresta blava. �li. 133x104 cm.

Malevitx. Arquitectona Alfa. Guix. 31,5x80,5x34 cm.

Malevitx. Cap de camperol. �li sobre fusta. 72x44 cm.

Malevitx. Construcci� suprem�tica del color. �l� sobre fusta. 72x52 cm.

Malevitx. Tres noies. 1928. �li sobre fusta. 57x48 cm.

Malevitx.Quadrat negre. 1923. �li. 106x106

Popova. Home-Aire-Espai. 1913. �li. 125x107 cm.

Rodxenko.Vermell i groc. 1918, �li. ,90x62 cm.

Tatlin. La model. 1913. �li. 104,5x130,5 cm.

Piranesi (2000-2001)

Written by Super User on 27 July 2013. Posted in Exposiciones realizadas:

Magnífica selección de los grabados al aguafuerte que realizó el arquitecto veneciano Giovanni Battista Piranesi en el siglo XVIII, mostrándonos la grandeza del Imperio Romano y su arquitectura a través de las imágenes de los restos de sus construcciones, muchas de ellas ya desaparecidas. Excelente memoria de estos monumentos, acompañada de una selección de los grabados de sus famosas cárceles fantásticas e imposibles.

Producida por Sa Nostra Caixa de Balears

Centre de Cultura Sa Nostra. Palma de Mallorca
Palacio San Eloy. Salamanca

“The Bull and the Mediterranean Sea” (2000).

Written by Super User on 14 July 2013. Posted in Exposiciones realizadas:

From Mesopotamia to the XX century: five thousand years of history, customs, religions and Mediterranean economy through the iconographic image of the bull in jewelry, reliefs, sculptures, steles, drawings, pictures, photographs...

Carried out in collaboration with more than 26 museums, Foundations and private collections.

Palace of San Eloy in Salamanca and Sa Nostra Cultural Centre of Palma de Mallorca.

Estatuete d'Apis. Període tardà. Bronze, 10,5x12,4 cm. Museu d'Israel. Jerusalen

Estatuete de Toro. Segle I a.C.Bronze. 39x51. Museo Arqueológic nacional. Nàpols

Francisco de Goya. Tauromaquia. Aiguafort, 25,5x35,6 cm. Calcografía Nacional Madrid

Joan Miró. Tete de Taureau.1970. Bronce_ 100x42x28 cm.

Miquel Barceló. Toros. 1990. Técnica mixta sobre tela,100x68 cm. Colecció Sa Nostra

Relleu de toro. c 2000 a. C. Pedra calcària. MNAM

Rubens. El rapte d'Europa. Taula, 18x13 cm. Museu del Prado. Madrid

El Toro y el Mediterráneo (2000) from Albert Ribas on Vimeo.

“Chagall in Rusia” (2001)

Written by Super User on 14 July 2013. Posted in Exposiciones realizadas:

A vision of the most creative period of Marc Chagall (1887-1985) between 1911, when he returns from Paris to Vitebsk -his natal village-, and 1922 when he leaves the Soviet Union for good. In this stage of his career he painted most of his emblematic art work.

in collaboration with the Saint Petersburg State National Museum of Russia.

Sa Nostra Cultural Centre of Palma de Mallorca and Palace of San Eloy in Salamanca

“Great Masters of Flemish painting in the century of Rubens” (2002)

Written by Super User on 14 July 2013. Posted in Exposiciones realizadas:

A great view of Flemish Baroque Masters, with pieces by Rubens, Brueghel, Van Dyck, Jordanes, Van Halen, Teniers, Neefs, De Vos, Snyders.

In collaboration with the National Fine Arts Museum of Antwerp.

Salamanca 2002. European Capital of Culture.
Palace of San Eloy in Salamanca.

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